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The practice of decorating tiles with bright colors outlined in black was known as cuerda seca, which translates as \u201cdry cord\u201d from Spanish. Cuerda seca developed in the Islamic lands of Spain, Iran, and Central Asia at the end of the 14th century and remained popular in these regions for several centuries. The black line between colors allowed for carefully distinguished forms that otherwise might have been muddles during the firing process.These tiles are a section of a larger scene depicting the life of the epic Persian hero Bahram Gur. Here, gazelles festively play along the bank of a river as young man plays the flute and another presumably bridles a horse, of which only the nose is visible. Similar figures appear in different sets of tiles, evidence of the use of pattern books or stock images for similar scenes. The tales of Bahram Gur were popular subjects for both smaller decorative objects and long epic books, such as the lavishly decorated Khamsa of Nizami<\/em>, a 16th-century manuscript created for the Mughal Emperor Akbar.<\/p>\n","short_description":null,"dimensions":"Each: 24.2 \u00d7 24.2 \u00d7 2.2 cm (9 1\/2 \u00d7 9 1\/2 \u00d7 7\/8 in.)","dimensions_detail":[{"depth":2,"width":24,"height":24,"diameter":null,"clarification":"Each"}],"medium_display":"Fritware with polychrom overglaze decoration","inscriptions":null,"credit_line":"Mary Jane Gunsaulus Collection","catalogue_display":null,"publication_history":null,"exhibition_history":null,"provenance_text":null,"edition":null,"publishing_verification_level":"Web Basic","internal_department_id":8,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":97.1262,"color":{"h":232,"l":36,"s":80,"percentage":0.455899217532678,"population":3236},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Architectural fragment","artwork_type_id":19,"department_title":"Arts of Asia","department_id":"PC-7","artist_id":29882,"artist_title":"Islamic","alt_artist_ids":[],"artist_ids":[29882],"artist_titles":["Islamic"],"category_ids":["PC-7"],"category_titles":["Arts of Asia"],"term_titles":["earthenware","ceramic tile","inorganic material","asian art","ceramics","architectural fragment","Islamic (culture or style)"],"style_id":null,"style_title":null,"alt_style_ids":["TM-13482"],"style_ids":["TM-13482"],"style_titles":["Islamic (culture or style)"],"classification_id":"TM-74","classification_title":"earthenware","alt_classification_ids":["TM-26","TM-46","TM-184"],"classification_ids":["TM-74","TM-26","TM-46","TM-184"],"classification_titles":["earthenware","asian art","ceramics","architectural fragment"],"subject_id":null,"alt_subject_ids":[],"subject_ids":[],"subject_titles":[],"material_id":"TM-2613","alt_material_ids":["TM-2600"],"material_ids":["TM-2613","TM-2600"],"material_titles":["ceramic tile","inorganic material"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"374f8561-4414-a344-8c5c-e964382c7096","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1917.797a-d"],"contexts":{"groupings":["accession"]}},{"input":["Four Tiles with a Figural Scene"],"weight":561,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-10-04T10:00:39-05:00","updated_at":"2026-10-04T13:01:49-05:00","timestamp":"2026-10-04T17:29:04-05:00"},{"id":72850,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/72850","is_boosted":false,"title":"Pair of Tiles with Floral Design","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBwAFAPUAADtafj1YfltbaVlibVpjblFkdFxsdWNpb2ZrdWttc2lvdmZueG1xd2Zwe2VzemZxfHFxc3R1dXN4fXZ7fXt+f1hxjVp2klZ4kn6DiGyEm2mEn2eKnnaFnn2Sn3aQp4CUp4Kcq5GjqpSksAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAHAAUAAAYhwASmUTA4IAJOxaK5TBiZTgj0kTw8AcBGRDksCAMFIhIEADs=","width":3000,"height":2032,"alt_text":"A work made of iznik ware, fritware painted in blue, turquoise, red, green, and black under a transparent glaze."},"main_reference_number":"1917.219a-b","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1550,"date_end":1570,"date_display":"Ottoman dynasty (1299\u20131923), c. 1560","date_qualifier_title":"Made","date_qualifier_id":4,"artist_display":"Turkey\nIznik","place_of_origin":"Iznik","description":"

During the sixteenth and seventeenth centuries, at the height of the Ottoman Empire, ceramic vessels and tiles of remarkable artistic and technical quality were produced at Iznik, a city in northwestern Anatolia. The middle of the sixteenth century was an important moment in the evolution of Iznik wares. To the existing blue-and-white palette was added color: first turquoise, green, and purple, then a red slip. The earlier focus on tableware was supplemented by a new demand for architectural tilework. Also at this time a new style emerged that emphasized floral motifs, such as familiar flowers (roses, carnations, tulips, etc.), as well as compositions of leaves and palmettes. The enduring quality of Iznik at its best and most representative is the effect of bold patterning in brilliant polychrome set against a pure white ground.<\/p>\n

The design here consists of elaborate palmettes and sinuously writhing leaves with serrated edges. Rosettes are half-covered by leaves, which, in turn, are pierced by stems. This pattern is typical of the so-called saz<\/em> style, a term that derives from the words saz kalem<\/em>, or \u201creed pen.\u201d The style developed in album drawings in black ink executed during the second half of the sixteenth century and became widely popular in various media. The two works in the Art Institute\u2019s collection can be dated to about 1560, the apogee of Iznik tile production. They were meant to be contiguous since the pattern continues effortlessly from one to the other.<\/p>\n","short_description":null,"dimensions":"A: 27.9 \u00d7 22.2 \u00d7 2 cm (11 \u00d7 8 3\/4 \u00d7 7\/8 in.); B: 27.9 \u00d7 22.4 \u00d7 2.1 cm (11 \u00d7 8 13\/16 \u00d7 7\/8 in.)","dimensions_detail":[{"depth":2,"width":22,"height":27,"diameter":null,"clarification":"A"},{"depth":2,"width":22,"height":27,"diameter":null,"clarification":"B"}],"medium_display":"Iznik ware, fritware painted in blue, turquoise, red, green, and black under a transparent glaze","inscriptions":null,"credit_line":"Mary Jane Gunsaulus Collection","catalogue_display":null,"publication_history":null,"exhibition_history":null,"provenance_text":null,"edition":null,"publishing_verification_level":"Web Basic","internal_department_id":8,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":59.4413,"color":{"h":192,"l":41,"s":86,"percentage":0.06357080977993282,"population":306},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Architectural fragment","artwork_type_id":19,"department_title":"Arts of Asia","department_id":"PC-7","artist_id":29882,"artist_title":"Islamic","alt_artist_ids":[],"artist_ids":[29882],"artist_titles":["Islamic"],"category_ids":["PC-7"],"category_titles":["Arts of Asia"],"term_titles":["fritware","earthenware","ceramic","ceramic tile","inorganic material","asian art","ceramics","architectural fragment","Islamic (culture or style)"],"style_id":null,"style_title":null,"alt_style_ids":["TM-13482"],"style_ids":["TM-13482"],"style_titles":["Islamic (culture or style)"],"classification_id":"TM-74","classification_title":"earthenware","alt_classification_ids":["TM-26","TM-46","TM-184"],"classification_ids":["TM-74","TM-26","TM-46","TM-184"],"classification_titles":["earthenware","asian art","ceramics","architectural fragment"],"subject_id":null,"alt_subject_ids":[],"subject_ids":[],"subject_titles":[],"material_id":"TM-11966","alt_material_ids":["TM-2432","TM-2613","TM-2600"],"material_ids":["TM-11966","TM-2432","TM-2613","TM-2600"],"material_titles":["fritware","ceramic","ceramic tile","inorganic material"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"1c9220b6-de61-1e98-3ea7-cf2efae93340","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1917.219a-b"],"contexts":{"groupings":["accession"]}},{"input":["Pair of Tiles with Floral Design"],"weight":879,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-10-04T10:00:39-05:00","updated_at":"2026-10-04T13:01:49-05:00","timestamp":"2026-10-04T17:29:04-05:00"},{"id":86358,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/86358","is_boosted":false,"title":"Tile with Grape Cluster","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBQAFAPQAAHJ2W19\/YVZ5cGN9amp+d2h5eFmAdnCAaGaIfXOKdXqFeHiGe2uUc26VeISWYoOWaoePeIWYdG2OhHyRgoWdiJ+fhJelgZGhjZyumQAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAFAAUAAAUVYPBQQ2IdESNgBYEo1XJJEwA5jRECADs=","width":2227,"height":2250,"alt_text":"A work made of fritware with polychrome painting under transparent glaze."},"main_reference_number":"1924.170","has_not_been_viewed_much":true,"boost_rank":null,"date_start":1500,"date_end":1700,"date_display":"Ottoman dynasty (1299\u20131923), 16th\/17th century","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Syria","place_of_origin":"Turkey","description":"

This tile featuring a central grape motif amid floral and vegetal sprays belongs to group of ceramics known as Damascus or Syrian ware, which are closely related to Iznik ceramics. These wares were produced in Damascus in the mid-16th century after the Ottoman sultan, Suleyman the Magnificent, sent Iznik potters to repair and restore tilework at the Dome of the Rock in Jerusalem. After refurbishing the tilework, these artisans settled in Damascus, where they continued to produce tiles and vessels. The objects produced bear a superficial resemblance to Iznik wares, particularly in color scheme. 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