Hall Stand

Christopher Dresser

  • gothic revival
  • ironwork
  • iron
  • casting (process)
  • Greek gods
  • cast iron
  • wood
  • european decorative arts
  • furniture
  • furniture
  • design reform
  • Neoclassicism
  • rain
  • wind

1865

The nineteenth century was a period of vast industrial developments, one of which was increased efficiency in cast-iron production. As cast iron proliferated into many aspects of architecture and applied arts, design critics renounced the material as vulgar and deceitful. In an effort to beautify cast-iron products, smelting manufactories hired professional designers, like Christopher Dresser, with visually stimulating results. In this hall stand, which was part of a larger series, Dresser combined medieval foliage motifs with classical depictions of the Greek gods of wind and water, Boreas and Aquarius.