{"pagination":{"total":132133,"limit":15,"offset":0,"total_pages":8809,"current_page":1,"next_url":"https:\/\/api.artic.edu\/api\/v1\/artworks?page=2&limit=15"},"data":[{"id":60561,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/60561","is_boosted":false,"title":"Bureau","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBwAFAPUAAFQsGGExFlw2JGU6I2w+JGZFNnRLNXlRPHpTPW1SQ2FTT3VYSX5mW31pYnhqZXdraYBrYZF4bpF8dJF+dZZ\/eIqFhZqVmbu0sb+5tru8ub28ucPAwMTAwcbFxcbGxMrGxcnGx8vHyOfi5wAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAHAAUAAAYhwM0lQpFgOB7IwCCYgDSLA6LA+GQSAQKgEepUHg6FRRQEADs=","width":3000,"height":2250,"alt_text":"A work made of walnut, ebonized walnut, pine, and brass."},"main_reference_number":"1947.409","has_not_been_viewed_much":true,"boost_rank":null,"date_start":1755,"date_end":1770,"date_display":"c. 1760\u201365","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Probably Fratelli Valentini Workshop (about 1760\u201370)\nMilan, Duchy of Milan (now Italy)","place_of_origin":"Milan","description":"

The top portion of this desk drops down to create a writing surface, revealing a suite of discreet drawers. Its bulbous shape (bomb\u00e9<\/em> in French) is characteristic of continental European furniture from the mid-1700s. Northern Italian designers developed a distinct style, called Barocchetto<\/em>, inspired by marble church altars. Craftspeople expertly arranged the burl-walnut veneers in this example to mimic marbling, while raised molding unifies the drawers, enhancing the visual harmony.<\/p>\n","short_description":null,"dimensions":"121.3 \u00d7 132.1 \u00d7 48.3 cm (47 3\/4 \u00d7 52 \u00d7 19 in.)","dimensions_detail":[{"depth":48,"width":132,"height":121,"diameter":null,"clarification":null}],"medium_display":"Walnut, ebonized walnut, pine, and brass","inscriptions":null,"credit_line":"Bessie Bennett Endowment","catalogue_display":null,"publication_history":null,"exhibition_history":null,"provenance_text":null,"edition":null,"publishing_verification_level":"Web Basic","internal_department_id":6,"fiscal_year":1947,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":37.2578,"color":{"h":220,"l":48,"s":20,"percentage":0.0028154421370331995,"population":15},"latitude":null,"longitude":null,"latlon":null,"is_on_view":true,"on_loan_display":null,"gallery_title":"Galleries 231-233","gallery_id":32536,"nomisma_id":null,"artwork_type_title":"Furniture","artwork_type_id":6,"department_title":"Applied Arts of Europe","department_id":"PC-9","artist_id":118272,"artist_title":"Valentini Workshop","alt_artist_ids":[],"artist_ids":[118272],"artist_titles":["Valentini Workshop"],"category_ids":["PC-9"],"category_titles":["Applied Arts of Europe"],"term_titles":["desk","walnut","veneering","barocchetto","writing","wood (plant material)","furniture","european decorative arts","furniture","joinery","Rococo","storage"],"style_id":"TM-5962","style_title":"barocchetto","alt_style_ids":["TM-5895"],"style_ids":["TM-5962","TM-5895"],"style_titles":["barocchetto","Rococo"],"classification_id":"TM-306","classification_title":"desk","alt_classification_ids":["TM-76","TM-1394"],"classification_ids":["TM-306","TM-76","TM-1394"],"classification_titles":["desk","furniture","european decorative arts"],"subject_id":"TM-8632","alt_subject_ids":["TM-9132","TM-12393"],"subject_ids":["TM-8632","TM-9132","TM-12393"],"subject_titles":["writing","furniture","storage"],"material_id":"TM-3609","alt_material_ids":["TM-2431"],"material_ids":["TM-3609","TM-2431"],"material_titles":["walnut","wood (plant material)"],"technique_id":"TM-4024","alt_technique_ids":["TM-13804"],"technique_ids":["TM-4024","TM-13804"],"technique_titles":["veneering","joinery"],"theme_titles":[],"image_id":"454a922b-eeb9-183f-c930-d0fb7fbe09ef","alt_image_ids":["c4fdd016-71e2-45d3-218f-5ac39d88bf22"],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1947.409"],"contexts":{"groupings":["accession"]}},{"input":["Bureau"],"weight":137,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-03-11T12:17:20-05:00","updated_at":"2026-07-04T13:05:41-05:00","timestamp":"2026-07-04T13:05:42-05:00"},{"id":157924,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/157924","is_boosted":false,"title":"Still Life with Currency","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhCgAFAPUAAEg8MUo8MEs9MFhCL0tDOlFBMlJBM1BCMlNDMlVAMVVDMldEM1VDNFJFNVVFN1lCMVpDMlxCMV1GMllINVBFOlVHOFZHOFhIOFhIOlxLO1xMOV1MO1lKPVxMPV5NPV9OPmFMOmNMOmBNPGBPPWFPPmBQPmJQP19RQGNVQGdWQmRVRGhXQW5gTnVjSXhiSX5wWYdvUYZzUgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAKAAUAAAYuQE+G9OlgHIzFoCEoxWAtUOgROWguKdcKYIJIAigR62WoWBIbAoVzUhUUiMkoCAA7","width":4797,"height":2368,"alt_text":"A work made of oil on canvas."},"main_reference_number":"2001.183","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1895,"date_end":1895,"date_display":"1895","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Charles Alfred Meurer\nAmerican, born Germany, 1865\u20131955","place_of_origin":"United States","description":"

Born in Germany and raised in Ohio, Charles Alfred Meurer began painting hyperrealistic, or trompe l\u2019oeil, compositions like Still Life with Currency<\/em> after seeing examples of the illusionistic genre by fellow American artist William Michael Harnett in the 1880s. Meurer exactingly rendered a set of metal, wax, and paper objects against a wooden panel, complete with graining, gouges, and a prominent splinter that secures a newspaper fragment. Legible in the clipping is the phrase \u201cCounterfeiters Caught,\u201d a humorous comment on the artist\u2019s own skills of verisimilitude.<\/p>\n","short_description":null,"dimensions":"25.4 \u00d7 55.9 cm (10 \u00d7 22 in.)","dimensions_detail":[{"depth":null,"width":55,"height":25,"diameter":null,"clarification":null}],"medium_display":"Oil on canvas","inscriptions":null,"credit_line":"Estate of Frederick W. Renshaw","catalogue_display":null,"publication_history":null,"exhibition_history":null,"provenance_text":null,"edition":null,"publishing_verification_level":"Web Basic","internal_department_id":21,"fiscal_year":2002,"fiscal_year_deaccession":null,"is_public_domain":false,"is_zoomable":false,"max_zoom_window_size":843,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":21.4218,"color":{"h":42,"l":42,"s":40,"percentage":0.003121683211587688,"population":11},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Arts of the Americas","department_id":"PC-3","artist_id":62362,"artist_title":"Charles Alfred Meurer","alt_artist_ids":[],"artist_ids":[62362],"artist_titles":["Charles Alfred Meurer"],"category_ids":["PC-3"],"category_titles":["Arts of the Americas"],"term_titles":["oil paint (paint)","painting","Realism","still life","canvas","american arts","candles","locks","keys","currency"],"style_id":"TM-7548","style_title":"Realism","alt_style_ids":[],"style_ids":["TM-7548"],"style_titles":["Realism"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-2191"],"classification_ids":["TM-9","TM-2191"],"classification_titles":["painting","american arts"],"subject_id":"TM-8937","alt_subject_ids":["TM-12595","TM-12222","TM-12221","TM-12220"],"subject_ids":["TM-8937","TM-12595","TM-12222","TM-12221","TM-12220"],"subject_titles":["still life","candles","locks","keys","currency"],"material_id":"TM-2451","alt_material_ids":["TM-3124"],"material_ids":["TM-2451","TM-3124"],"material_titles":["oil paint (paint)","canvas"],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"64106540-36d7-23eb-0556-c07306075745","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["2001.183"],"contexts":{"groupings":["accession"]}},{"input":["Still Life with Currency"],"weight":604,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-06-18T11:12:23-05:00","updated_at":"2026-07-04T13:05:40-05:00","timestamp":"2026-07-04T13:05:42-05:00"},{"id":805,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/805","is_boosted":false,"title":"Funerary Papyrus of Tayuhenutmut","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,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","width":10226,"height":2614,"alt_text":"Horizontal five-panel document featuring written characters in black on the left four pages and an illustration of the fifth. A seated figure at left in profile, wearing a tall headdress and white clothing, looks toward a dark-haired female figure at right in white with a white object on her head. She holds up her hands in gesture. A panel of hieroglyphs in white squares is visible behind them."},"main_reference_number":"1894.180","has_not_been_viewed_much":false,"boost_rank":null,"date_start":-1069,"date_end":-945,"date_display":"Third Intermediate Period, probably Dynasty 21 (about 1069-945 BCE)","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Egyptian; probably Thebes (now Luxor), Egypt","place_of_origin":"Egypt","description":"

Potent symbols, sacred words, and divine protection helped ancient Egyptians transition from the earthly realm to an eternal existence. Interactions between mortals and the gods were depicted on funerary objects including papyri, like this example made for temple singer Tayu-henut-Mut (\u201cthe mistress of [the goddess] Mut\u201d).<\/p>\n

This papyrus shows Tayu-henut-Mut standing with raised hands before an offering table, praising the enthroned god Osiris, ruler of the afterlife. Behind Osiris a scribe has carefully copied spells from the Book of Going Forth by Day. First appearing during the New Kingdom (about 1550 BCE), this religious text is better known today as the Book of the Dead, because scrolls were buried with their owners. Tayu-henut-Mut\u2019s copy includes five spells selected from nearly 200 known options to aid in her journey to eternity, including one for \u201ccausing a man to remember his name.\u201d Egyptians believed that one would cease to exist in the afterlife if their name was forgotten or no longer spoken among the living.<\/p>\n","short_description":null,"dimensions":"24.5 \u00d7 101 cm (9 11\/16 \u00d7 39 7\/8 in.)","dimensions_detail":[{"depth":null,"width":101,"height":24,"diameter":null,"clarification":null}],"medium_display":"Papyrus and pigment","inscriptions":"\u201cWords spoken by Osiris Foremost of the West, Lord of Abydos, Wenenefer, Lord of Eternity\u2026 that he might give offerings and provisions to the Osiris, the Mistress of the House and Songstress of Amun-Re, King of the Gods, Tayuhenutmut, true of voice, daughter of the scribe of the treasury Nespaherentahat, true of voice.\u201d","credit_line":"Gift of Henry H. Getty, Charles L. Hutchinson, Robert H. Fleming, and Norman W. Harris","catalogue_display":null,"publication_history":"Thomas George Allen, A Handbook of the Egyptian Collection (Chicago: The Art Institute of Chicago, 1923), 10\u201311n1, 156-9 (ill.).\n\nThomas George Allen, The Egyptian Book of the Dead: Documents in the Oriental Institute Museum at the University of Chicago, Oriental Institute Publications 82 (University of Chicago Press, 1960), 3, 12-13, 60-61, 67, 289, pls. I-IV (as OIM 18039).\n\nMadeleine Bellion, \u00c9gypte ancienne. Catalogue des manuscrits hi\u00e9roglyphiques et hi\u00e9ratiques et des dessins, sur papyrus, cuir ou tissu, publi\u00e9s ou signal\u00e9s (Paris: M. Bellion, 1987), 129 (as T. Chicago OIM 18039).\n\nAndrzej Niwi\u0144ski, Studies on the Illustrated Theban Funerary Papyri of the 11th and 10th Centuries B.C. (Freiburg\/G\u00f6ttingen: Universit\u00e4tsverlag\/Vandenhoeck & Ruprecht, 1989), 304 (as Chicago 3).\n\nKarl Jansen-Winkeln, \u201cText und Sprache in der 3. Zwischenzeit. Vorarbeiten zu einer sp\u00e4tmittel\u00e4gyptischen Grammatik,\u201d \u00c4UAT 26 (Wiesbaden: Harrassowitz Verlag, 1994), 265 (as A\/1.1.32, pChicago OIM 18039 = 94.180).\n\nUrsula Verhoeven, Untersuchungen zur sp\u00e4thieratischen Buchschrift (Leuven, 2001), p [footnote 10], 66, 102-225, 250, 283, 294, 323 (as Chicago, OIM Papyrus 18039).\n\nGiuseppina Lenzo Marchese, \u201cQuelques manuscrits hi\u00e9ratiques du Livre des Morts de la Troisi\u00e8me P\u00e9riode interm\u00e9diaire du mus\u00e9e \u00e9gyptien de Turin,\u201d BIFAO 102 (2002), 270 (as P. Chicago OIM 18039).\n\nLisa Swart, \u201cA Stylistic Comparison of Selected Visual Representations on Egyptian Funerary Papyri of the 21st Dynasty and Wooden Funerary Stelae of the 22nd Dynasty (c. 1069\u2013715 B.C.E.)\u201d (PhD diss., University of Stellenbosch, 2004), 114, 116, 196\u20137, 288, 300, pl. 142 (as pOIM 18039).\n\nEmily Teeter and Janet H. Johnson, eds. The Life of Meresamun: A Temple Singer in Ancient Egypt, exh. cat. (Chicago: Oriental Institute of the University of Chicago, 2009), 19, fig. 8.\n\nEmily Cole, \"Language and Script in the Book of the Dead,\" in Foy D. Scalf, Book of the Dead: Becoming God in Ancient Egypt (Chicago: Oriental Institue, 2017), 43, fig. 3.3.\n\nHolger Kockelmann, \"How a Book of the Dead Manuscript Was Produced,\" in Foy D. Scalf, Book of the Dead: Becoming God in Ancient Egypt (Chicago:Oriental Institue, 2017), 72, fig. 5.8.\n\nFoy D. Scalf, \"New papyri form Bab el Gasus? The prosopography and provenience of papyrus HM 84123,\" Bulletin de l'Institut Fran\u00e7ais d'Arch\u00e9ologie Orientale 125 (2025), 441-443. \n\nEmily Teeter, \u201cCat. 44 Funerary Papyrus of Tayuhenutmut,\u201d<\/em><\/a> in Ancient Egyptian Art at the Art Institute of Chicago by Emily Teeter and Ashley F. Arico, ed. Ashley F. Arico (Art Institute of Chicago, 2025).","exhibition_history":"Art Institute of Chicago, Ancient Art Galleries, Gallery 154A, April 20, 1994 - February 6, 2012.\n\nArt Institute of Chicago, Spiritual Expressions: Art for Private Contemplation and Public Celebration, November 22, 1995 - March 17, 1996.\n\nArt Institute of Chicago, When the Greeks Ruled: Egypt After Alexander the Great, October 31, 2013 - July 27, 2014.\n\nArt Institute of Chicago, Life and Afterlife in Ancient Egypt, Feb. 11, 2022 - Dec. 14, 2022.","provenance_text":"The Art Institute of Chicago, acquired in Egypt, 1894; price reimbursed by Henry H. Getty, Charles L. Hutchinson, Robert H. Fleming, and Norman W. Harris.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":43,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":153,"l":45,"s":3,"percentage":9.72662060837468e-5,"population":26},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Arts of Africa","department_id":"PC-1","artist_id":37541,"artist_title":"Ancient Egyptian","alt_artist_ids":[],"artist_ids":[37541],"artist_titles":["Ancient Egyptian"],"category_ids":["PC-1"],"category_titles":["Arts of Africa"],"term_titles":["papyrus (fiber product)","third intermediate period","painting","painting (coating)","women","writing","twenty-first dynasty","ancient art","ancient","writing","egyptian","book","scroll","gods (deities)","Hieroglyphs","praying"],"style_id":"TM-4394","style_title":"third intermediate period","alt_style_ids":["TM-4395","TM-8542","TM-4805"],"style_ids":["TM-4394","TM-4395","TM-8542","TM-4805"],"style_titles":["third intermediate period","twenty-first dynasty","ancient","egyptian"],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-672","TM-1392","TM-11","TM-11988"],"classification_ids":["TM-9","TM-672","TM-1392","TM-11","TM-11988"],"classification_titles":["painting","writing","ancient art","book","scroll"],"subject_id":"TM-8735","alt_subject_ids":["TM-8632","TM-12066","TM-12185","TM-12734"],"subject_ids":["TM-8735","TM-8632","TM-12066","TM-12185","TM-12734"],"subject_titles":["women","writing","gods (deities)","Hieroglyphs","praying"],"material_id":"TM-3075","alt_material_ids":[],"material_ids":["TM-3075"],"material_titles":["papyrus (fiber product)"],"technique_id":"TM-4005","alt_technique_ids":[],"technique_ids":["TM-4005"],"technique_titles":["painting (coating)"],"theme_titles":[],"image_id":"6cb56687-a433-ae6b-ab07-af71dd755ec9","alt_image_ids":["0648168f-c50c-9197-48b4-4824adfb7ad0"],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1894.180"],"contexts":{"groupings":["accession"]}},{"input":["Funerary Papyrus of Tayuhenutmut"],"weight":46645,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-05-20T10:30:18-05:00","updated_at":"2026-07-04T13:05:36-05:00","timestamp":"2026-07-04T13:05:42-05:00"},{"id":77688,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/77688","is_boosted":false,"title":"Peacock Weather Vane","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAALmnpL2sq8S1tMq+vN7b2uDa2eTi4ufl5evo5+7t7e\/v7\/Hw8PLy8vb29vf39\/j5+fn7+\/v9\/QAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAUQ4CAgSxEATwQpTpMcrUEwIQA7","width":5830,"height":8095,"alt_text":"A work made of iron."},"main_reference_number":"1952.549","has_not_been_viewed_much":true,"boost_rank":null,"date_start":1800,"date_end":1860,"date_display":"1800\u201360","date_qualifier_title":"c.","date_qualifier_id":60,"artist_display":"Artist unknown (American, active 19th century)\nPennsylvania","place_of_origin":"Pennsylvania","description":"

Of the two versions<\/a> of this design in the Art Institute's collection, this image is accepted as the earlier printing of this famous design. The poetry appearing on both impressions has been identified by the scholar Suzuki Juzo as the first two lines of an unsigned Chinese poem entitled \u201cInquiry of a Stork\u201d by Hakurakuten (772\u2013846). It reads:<\/p>\n

\n Crows and storks fight over something to eat
\n and sparrows over where to sleep,
\nYou stand there all alone by the pond,
\nthe wind blows and snow piles up.<\/blockquote>\n","short_description":null,"dimensions":"38 \u00d7 17.3 cm (15 \u00d7 6 13\/16 in.); Mat: 63.5 \u00d7 40.7 cm (25 \u00d7 16 in.)","dimensions_detail":[{"depth":null,"width":17,"height":38,"diameter":null,"clarification":null},{"depth":null,"width":40,"height":63,"diameter":null,"clarification":"Mat"}],"medium_display":"Color woodblock print; \u014dtanzaku","inscriptions":null,"credit_line":"Gift of H. R. Warner","catalogue_display":null,"publication_history":null,"exhibition_history":null,"provenance_text":"Harold Remsen Warner (1880-1938), Santa barbara, CA; given to the Art Institute of Chicago, Mar. 9, 1932.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":8,"fiscal_year":1932,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":199,"l":54,"s":10,"percentage":0.002520782341002123,"population":1478},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Print","artwork_type_id":18,"department_title":"Arts of Asia","department_id":"PC-7","artist_id":34946,"artist_title":"Utagawa Hiroshige","alt_artist_ids":[],"artist_ids":[34946],"artist_titles":["Utagawa Hiroshige"],"category_ids":["PC-7"],"category_titles":["Arts of Asia"],"term_titles":["woodblock print","Japanese (culture or style)","print","asian art"],"style_id":"TM-13407","style_title":"Japanese (culture or style)","alt_style_ids":[],"style_ids":["TM-13407"],"style_titles":["Japanese (culture or style)"],"classification_id":"TM-402","classification_title":"woodblock print","alt_classification_ids":["TM-17","TM-26"],"classification_ids":["TM-402","TM-17","TM-26"],"classification_titles":["woodblock print","print","asian art"],"subject_id":null,"alt_subject_ids":[],"subject_ids":[],"subject_titles":[],"material_id":null,"alt_material_ids":[],"material_ids":[],"material_titles":[],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"2270b017-fe5a-fe7a-ed50-911fde5bf644","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1932.208"],"contexts":{"groupings":["accession"]}},{"input":["Sparrows and Camellia in Snow"],"weight":1515,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-07-01T13:06:16-05:00","updated_at":"2026-07-04T13:01:51-05:00","timestamp":"2026-07-04T13:05:42-05:00"},{"id":23307,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/23307","is_boosted":false,"title":"The Actor Onoe Kikugoro I as Soga no Goro","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhAQAFAPIAAI91WZJ7YZV7YJyEaqOJbgAAAAAAAAAAACH5BAAAAAAAIf8LSW1hZ2VNYWdpY2sOZ2FtbWE9MC40NTQ1NDUALAAAAAABAAUAAAMESAIxCQA7","width":5306,"height":26760,"alt_text":"A work made of hand-colored woodblock print; hashira-e, urushi-e."},"main_reference_number":"1925.2851","has_not_been_viewed_much":true,"boost_rank":null,"date_start":1739,"date_end":1749,"date_display":"c. 1744","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Okumura Masanobu\nJapanese, 1686\u20131764","place_of_origin":"Japan","description":null,"short_description":null,"dimensions":"69.6 \u00d7 12.6 cm (27 7\/16 \u00d7 5 in.); Mat: 95.3 \u00d7 45.8 cm (37 1\/2 \u00d7 18 in.)","dimensions_detail":[{"depth":null,"width":12,"height":69,"diameter":null,"clarification":null},{"depth":null,"width":45,"height":95,"diameter":null,"clarification":"Mat"}],"medium_display":"Hand-colored woodblock print; hashira-e, urushi-e","inscriptions":null,"credit_line":"Clarence Buckingham Collection","catalogue_display":null,"publication_history":null,"exhibition_history":null,"provenance_text":"Matsuki Bunkio (1867\u20131940), Boston; sold, American Art Galleries, New York, Jan. 24\u201326, 1907, to Clarence Buckingham (1854\u20131913), Chicago; by descent to his sisters Lucy Maud Buckingham (1870\u20131920) and Kate Sturges Buckingham (1858\u20131937), Chicago, 1913; given to the Art Institute of Chicago, 1925.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":8,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":37,"l":86,"s":49,"percentage":0.00024086447527885347,"population":342},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Print","artwork_type_id":18,"department_title":"Arts of Asia","department_id":"PC-7","artist_id":61758,"artist_title":"Okumura Masanobu","alt_artist_ids":[],"artist_ids":[61758],"artist_titles":["Okumura Masanobu"],"category_ids":["PC-7"],"category_titles":["Arts of Asia"],"term_titles":["woodblock print","Japanese (culture or style)","print","asian art"],"style_id":"TM-13407","style_title":"Japanese (culture or style)","alt_style_ids":[],"style_ids":["TM-13407"],"style_titles":["Japanese (culture or style)"],"classification_id":"TM-402","classification_title":"woodblock print","alt_classification_ids":["TM-17","TM-26"],"classification_ids":["TM-402","TM-17","TM-26"],"classification_titles":["woodblock print","print","asian art"],"subject_id":null,"alt_subject_ids":[],"subject_ids":[],"subject_titles":[],"material_id":null,"alt_material_ids":[],"material_ids":[],"material_titles":[],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"45ffad79-f73c-7874-6406-3bbd604ac6a3","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1925.2851"],"contexts":{"groupings":["accession"]}},{"input":["The Actor Onoe Kikugoro I as Soga no Goro"],"weight":1,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-07-01T13:06:16-05:00","updated_at":"2026-07-04T13:01:50-05:00","timestamp":"2026-07-04T13:05:42-05:00"}],"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.14"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"http:\/\/www.artic.edu"}}

1780