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During the course of the 5th and 4th centuries BCE, black vessels (commonly called black-glaze vessels) were made with increasing frequency in both Greece and South Italy. Many of them replicate the shape of metal vessels. Others have detailing that is molded or incised. While the quality of these vessels varies greatly, all would have been less expensive than vessels decorated in other contemporary techniques, for example, in red-figure.<\/p>\n","short_description":null,"dimensions":"9.2 \u00d7 22.5 \u00d7 16.2 cm (3 5\/8 \u00d7 8 7\/8 \u00d7 6 3\/8 in.)","dimensions_detail":[{"depth":16,"width":22,"height":9,"diameter":null,"clarification":null}],"medium_display":"terracotta, black-glaze with impressed decoration","inscriptions":null,"credit_line":"Gift of Philip D. Armour and Charles L. Hutchinson","catalogue_display":null,"publication_history":"W.M.R. French, 1889-?. Notes [on a] journey to Europe with Mr. and Mrs. C.L. Hutchinson starting from New York Sat'y, 1889-?, (unpublished manuscript in Art Institute of Chicago Archives), p. 26. \n\nArt Institute of Chicago, Preliminary Catalogue of Metal Work, Graeco-Italian Vases, and Antiquities, December 9, 1889 (Chicago: Early & Halla Printing Company, 1889), p. 38, no. 304.\n\nHomer A. Thompson, \"Two Centuries of Hellenistic Pottery,\" Hesperia: The Journal of the American School of Classical Studies at Athens 3, 4 (1934), p. 429. \n\nKaren B. Alexander, \"From Plaster to Stone: Ancient Art at the Art Institute of Chicago,\" in Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Chicago: Art Institute of Chicago; New Haven: Yale University Press, 2012), p. 18.","exhibition_history":"The Art Institute of Chicago, \"Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek,\" Roman, and Byzantine Art, Gallery 151, November 11, 2012-present.","provenance_text":"Augusto Mele, Naples, Italy; sold to the Art Institute of Chicago through J.C. Fletcher as agent, 1889; price reimbursed by Charles Hutchinson and Philip D. Armour, 1889.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":941,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":239,"l":52,"s":1,"percentage":0.00019489609358390697,"population":60},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":"

\u201cWhat say you to a summer morning?\u201d John Constable wrote of this painting in a letter to a friend. Even after many years living in London, Constable continued to portray the countryside, dear to him from boyhood. Stoke-by-Nayland lies a few miles from his native village of East Bergholt in Suffolk. In this view, he divided the canvas between a brilliant, airy vista toward the hamlet on the left and a shady, tunnel-like country lane leading off to the right. Constable explained in his letter that the painting depicted a speci\ufb01c time, a morning in \u201cJuly or August, at eight or nine o\u2019clock, after a slight shower during the night, to enhance the dews in the shadowed part of the picture.\u201d The artist emphasized the abundance of water through his painting technique, \ufb02ecking the surface with white highlights to create an effect of sparkling wetness. Here, the whole scene appears dewy, with a stream and puddles in the foreground and a central tree that droops from the weight of rainwater, emphasizing the fertile land.<\/p>\n

On loan to Solomon R. Guggenheim Museum in New York City for Gabriele M\u00fcnter: Contours of a World<\/i><\/p>","gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Modern Art","department_id":"PC-11","artist_id":44013,"artist_title":"Gabriele M\u00fcnter","alt_artist_ids":[],"artist_ids":[44013],"artist_titles":["Gabriele M\u00fcnter"],"category_ids":["PC-11"],"category_titles":["Modern Art"],"term_titles":["painting","interiors","Modern Art Highlights","Century of Progress","world's fairs","Chicago World's Fairs","dresses","fashion","interior design","plants","still life","queens","royalty","women","flowers","dolls","puppets"],"style_id":null,"style_title":null,"alt_style_ids":[],"style_ids":[],"style_titles":[],"classification_id":"TM-9","classification_title":"painting","alt_classification_ids":["TM-14404"],"classification_ids":["TM-9","TM-14404"],"classification_titles":["painting","Modern Art Highlights"],"subject_id":"TM-12285","alt_subject_ids":["TM-12169","TM-11299","TM-12176","TM-12529","TM-8663","TM-12215","TM-12058","TM-8937","TM-8791","TM-12150","TM-8735","TM-10482","TM-8856","TM-14414"],"subject_ids":["TM-12285","TM-12169","TM-11299","TM-12176","TM-12529","TM-8663","TM-12215","TM-12058","TM-8937","TM-8791","TM-12150","TM-8735","TM-10482","TM-8856","TM-14414"],"subject_titles":["interiors","Century of Progress","world's fairs","Chicago World's Fairs","dresses","fashion","interior design","plants","still life","queens","royalty","women","flowers","dolls","puppets"],"material_id":null,"alt_material_ids":[],"material_ids":[],"material_titles":[],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"6b5916ab-baa7-caa0-fcc2-314f6ec268bc","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1931.521"],"contexts":{"groupings":["accession"]}},{"input":["Still Life with Queen"],"weight":3595,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-04-24T00:30:01-05:00","updated_at":"2026-04-24T03:32:59-05:00","timestamp":"2026-04-24T07:53:36-05:00"},{"id":7988,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/7988","is_boosted":false,"title":"Claude Monet","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAAElSU01VU1ZbW2NqXFllYGFoZmNsZWJsaWhua2tubG5xbnJybnJxcnRycnN5dn57f32BeY2Ph4+Ji6KXkwAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAURIOREg7AQQTMpQCIxhfEgRwgAOw==","width":6694,"height":9096,"alt_text":"A work made of oil on canvas."},"main_reference_number":"1923.149","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1922,"date_end":1922,"date_display":"1922","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Albert Andr\u00e9 (French, 1869-1954)","place_of_origin":"France","description":null,"short_description":null,"dimensions":"129.5 \u00d7 96.5 cm (51 \u00d7 38 in.); Framed: 158.3 \u00d7 125.8 \u00d7 12.1 cm (62 5\/16 \u00d7 49 1\/2 \u00d7 4 3\/4 in.)","dimensions_detail":[{"depth":null,"width":96,"height":129,"diameter":null,"clarification":null},{"depth":12,"width":125,"height":158,"diameter":null,"clarification":"Framed"}],"medium_display":"Oil on canvas","inscriptions":null,"credit_line":"The Stickney Fund","catalogue_display":null,"publication_history":"M. B. W., \"Portrait of Monet by Andr\u00e9,\" Bulletin of the Art Institute of Chicago 17 no. 3 (March 1923): 32-33 (ill.).\n\n\"Accessions and Loans,\" Bulletin of the Art Institute of Chicago 17 no. 3 (March 1923): 35.\n\nArt Institute of Chicago Newsletter (December 1921-December 1923): 127 no. 5.\n\n\u201cAndre\u2019s \u2018Monet\u2019 for Chicago Institute,\u201d Art News 21 (February 17, 1923): 1.\n\nMuriel Ciolkowska, \u201cThe Art of Andr\u00e9,\u201d International Studio 76 (1923) plate opp. 455 (color ill.).\n\nM. C., \"Monets in the Art Institute,\" Bulletin of the Art Institute of Chicago 19, no. 2 (1925): 18 (ill.), 21.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute: 1925), 74, 125 no. 620, as Claude Monet (in his Garden at Giverny).\n\nMarius Mermillon, Albert Andr\u00e9 (Paris: G. Cr\u00e8s & cie, c. 1927) plate 37.\n\nArt Institute of Chicago, A Guide to the Paintings in the Permanent Collection (Chicago: Art Institute: 1932) 75, 141, as Claude Monet (in his Garden at Giverny).\n\nPictures on Exhibit 8, no. 10 (July 1946): 2 (ill.).\n\nA. C., \u201cHomage to Claude Monet,\u201d The Art Institute of Chicago Quarterly LI, no. 2 (April 1, 1957): 28 (ill.).\n\n\u201cMonet and the Giverny Group,\u201d Bulletin of the Dayton Art Institute, 19, no. 3 (December 1960) n.p. (ill.).\n\nArt Institute of Chicago, Paintings in the Art Institute: A Catalogue of the Picture Collection (Chicago: Art Institute of Chicago, 1961), 15.\n\nA. James Speyer, Twentieth-Century European Paintings, compiled by Courtney Graham Donnell. (Chicago and London: The University of Chicago Press, 1980), 13, 31 no. 1A4, plate 1A4.\n\nEvelyne Yeatman, Albert Andr\u00e9 (Association pour l\u00e9tude de l'oeuvre d'Albert Andr\u00e9, 1990), 29 (ill.).\n\nRejoicing in Woods and Springs: A Journey through Garden Cultures in China and the Wider World, exh. cat. (Beijing: Gu gong chu ban she, 2025), 252 (ill.), cat. 153.","exhibition_history":"Dayton, Ohio, Dayton Art Institute, Monet and the Giverny Group, Jan. 6 \u2013 Feb. 12, 1961, cat. 1; Davenport, Iowa, Municipal Art Gallery, Mar. 11 \u2013 Apr. 5, 1961; Tucson, University of Arizona, Apr. 19 \u2013 May 10, 1961; Reno, University of Nevada, Oct. 21\u2013Nov. 11, 1961; San Diego, California, Fine Arts Gallery, Nov. 30 \u2013 Dec. 23, 1961; Atlanta, Georgia, Atlanta Art Association, Jan. 7\u201328, 1962.\n\nShort term loan to Mr. and Mrs. B.E. Bensinger, Chicago, January 17 \u2013 April 6, 1973.\n\nShort term loan to Mr. and Mrs. B.E. Bensinger, Chicago, April 18 \u2013 May 18, 1973.\n\nBeijing, Palace Museum, Garden Cultures of China and the West, Apr. 1\u2013June 30, 2025; Suzhou Museum, July 19\u2013Oct. 31, 2025; Ningbo Museum, Dec. 5, 2025\u2013Mar. 8, 2026; Hong Kong Museum of Art, Apr. 23\u2013July 29, 2026.\n\nBeijing, Palace Museum, Rejoicing in Woods and Springs: A Journey through Garden Cultures in China and the Wider World, Apr. 1\u2013June 30, 2025, cat. 153; Suzhou China, Suzhou Museum, July 19\u2013Oct. 31, 2025; Ningbo, China, Ningbo Museum, Dec. 5, 2025\u2013Mar. 8, 2026; Hong Kong Museum of Art, Apr. 23\u2013July 29, 2026.","provenance_text":"The artist; sold to Durand-Ruel, Paris, July, 20, 1922 [this and the following according to correspondence with France Daguet, Durand-Ruel & Cie., Mar. 7, 1986, in curatorial object file]; sent to Galerie Durand-Ruel, New York, Nov. 2, 1922; sold to the Art Institute of Chicago, Feb. 14, 1923.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":14,"fiscal_year":1923,"fiscal_year_deaccession":null,"is_public_domain":false,"is_zoomable":false,"max_zoom_window_size":843,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":11.4024,"color":{"h":149,"l":42,"s":7,"percentage":0.1439027801519837,"population":1389},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":"

On loan to Hong Kong Museum of Art in Hong Kong for Rejoicing in Woods and Springs: A Journey through Garden Cultures in China and the Wider World<\/i><\/p>","gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":"Painting and Sculpture of Europe","department_id":"PC-10","artist_id":33421,"artist_title":"Albert Andr\u00e9","alt_artist_ids":[],"artist_ids":[33421],"artist_titles":["Albert Andr\u00e9"],"category_ids":["PC-10"],"category_titles":["Painting and Sculpture of Europe"],"term_titles":["oil on canvas","oil paint (paint)","painting","20th Century","portrait","portrait","canvas","oil painting","painting (image making)","painting techniques","Impressionism","artist","Male","man","portraits","portraits: male subject","european painting","painting","modern and contemporary art"],"style_id":"TM-13130","style_title":"20th Century","alt_style_ids":["TM-7543"],"style_ids":["TM-13130","TM-7543"],"style_titles":["20th Century","Impressionism"],"classification_id":"TM-66","classification_title":"oil on canvas","alt_classification_ids":["TM-12855","TM-54","TM-9","TM-155"],"classification_ids":["TM-66","TM-12855","TM-54","TM-9","TM-155"],"classification_titles":["oil on canvas","portrait","european painting","painting","modern and contemporary art"],"subject_id":"TM-14105","alt_subject_ids":["TM-15228","TM-12945","TM-14974","TM-8658","TM-8581"],"subject_ids":["TM-14105","TM-15228","TM-12945","TM-14974","TM-8658","TM-8581"],"subject_titles":["portrait","artist","Male","man","portraits","portraits: male subject"],"material_id":"TM-2451","alt_material_ids":["TM-3124"],"material_ids":["TM-2451","TM-3124"],"material_titles":["oil paint (paint)","canvas"],"technique_id":"TM-14210","alt_technique_ids":["TM-4273","TM-3891","TM-3971"],"technique_ids":["TM-14210","TM-4273","TM-3891","TM-3971"],"technique_titles":["painting","oil painting","painting (image making)","painting techniques"],"theme_titles":[],"image_id":"3dcb169e-b73e-6d52-6ac5-525b67e5b8b7","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1923.149"],"contexts":{"groupings":["accession"]}},{"input":["Claude Monet"],"weight":957,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-04-24T00:30:01-05:00","updated_at":"2026-04-24T03:32:59-05:00","timestamp":"2026-04-24T07:53:36-05:00"},{"id":9637,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/9637","is_boosted":false,"title":"View of an Italian Villa and Gardens (the Belvedere of the Vatican)","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBwAFAPUAAIR5Z4h7aIl9bIp\/bpOHc5SHc5KGdJiLdZqOepyOeaGTfKKVfqWXf6aYgqucg6yehq+gha+hh7CghrChhrmqj7ysj7iqkb+wlMa4n869n9C+n8u8odPAoNLAodTEpNjIqNzMruDQsgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAHAAUAAAYhwIznA\/p0OBXIw7IJaRKGgaCBUSwOBACiEJhQLhEHQxIEADs=","width":3000,"height":2049,"alt_text":"A work made of brush and gray wash heightened with white gouache, over traces of black chalk, on ivory laid paper."},"main_reference_number":"1959.45","has_not_been_viewed_much":true,"boost_rank":null,"date_start":1700,"date_end":1799,"date_display":"1765\/66","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Jean Jacques de Boissieu\nFrench, 1736-1810","place_of_origin":"France","description":null,"short_description":null,"dimensions":"24.7 \u00d7 36.2 cm (9 3\/4 \u00d7 14 5\/16 in.)","dimensions_detail":[{"depth":null,"width":36,"height":24,"diameter":null,"clarification":null}],"medium_display":"Brush and gray wash heightened with white gouache, over traces of black chalk, on ivory laid paper","inscriptions":null,"credit_line":"Gift of Mr. John L. Strauss","catalogue_display":null,"publication_history":null,"exhibition_history":"Beijing, China, Palace Museum, \"Rejoicing in Woods and Springs: A Journey through Garden Cultures in China and the Wider World\", April 1 - June 30, 2025, traveled to Hong Kong Museum, April 23 - July 29, 2026.","provenance_text":"John L. Strauss, Glencoe, Ill., by 1959; given to the Art Institute, 1959.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":3,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":true,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":20.723,"color":{"h":44,"l":93,"s":83,"percentage":0.07674454587652793,"population":372},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":"

On loan to Neue Nationalgalerie in Tiergarten for Constantin Brancusi<\/i><\/p>","gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Sculpture","artwork_type_id":3,"department_title":"Modern Art","department_id":"PC-11","artist_id":33735,"artist_title":"Constantin Brancusi","alt_artist_ids":[],"artist_ids":[33735],"artist_titles":["Constantin Brancusi"],"category_ids":["PC-11"],"category_titles":["Modern Art"],"term_titles":["bronze","heads","metal","sculpture","modern and contemporary art","muses","sleep"],"style_id":null,"style_title":null,"alt_style_ids":[],"style_ids":[],"style_titles":[],"classification_id":"TM-28","classification_title":"bronze","alt_classification_ids":["TM-33","TM-13","TM-155"],"classification_ids":["TM-28","TM-33","TM-13","TM-155"],"classification_titles":["bronze","metal","sculpture","modern and contemporary art"],"subject_id":"TM-12196","alt_subject_ids":["TM-12685","TM-12201"],"subject_ids":["TM-12196","TM-12685","TM-12201"],"subject_titles":["heads","muses","sleep"],"material_id":null,"alt_material_ids":[],"material_ids":[],"material_titles":[],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"38e4ddb6-35d0-e854-66c5-0d44b9d8c11f","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1931.523"],"contexts":{"groupings":["accession"]}},{"input":["Sleeping Muse"],"weight":11044,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-04-24T00:30:01-05:00","updated_at":"2026-04-24T03:32:58-05:00","timestamp":"2026-04-24T07:53:36-05:00"},{"id":11723,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/11723","is_boosted":true,"title":"Woman at Her Toilette","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBwAFAPUAAE9MQV1XRl5YRmNdT2JgVGplV3RtW3JsX35wXW9rYHl3cX17eYJ4a4+Hd4GBfoaDf4iEfY6JgYmKhZuXjZWSkJaSkJydlpqZmZqamp+dmpqbnamelqCemqShk6Cgm6ujnK6nn7m0rbSzsgAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAHAAUAAAYhwABDYnBYOgTFAvHAcA6JyIZyyQwAFZHGMykIPiEQpBEEADs=","width":4946,"height":3703,"alt_text":"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue."},"main_reference_number":"1924.127","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1870,"date_end":1880,"date_display":"1875\u201380","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Berthe Morisot (French, 1841\u20131895)","place_of_origin":"France","description":"

In Woman at Her Toilette<\/em>, Berthe Morisot provided a glimpse into the private life of a Parisienne\u2014one of the fashionable, urban women who epitomized modernity in late nineteenth-century France. The \ufb01gure is shown at her vanity table after a ball, still wearing her earrings and a velvet ribbon around her neck as she reaches up to take down her chignon hairstyle. In the background, Morisot\u2019s soft, feathery brushstrokes suggest a \ufb02 oral-patterned bedspread and wallpaper. The artist applied the same gauzy technique to the mirror, obscuring the \ufb01 gure\u2019s re\ufb02ection and thus disrupting the trope of women gazing into mirrors as a symbol of vanity. Morisot signed her name along the bottom of the mirror, an enigmatic detail that may suggest that the \ufb01gure is a stand-in for the artist herself.<\/p>\n

On loan to Cleveland (Ohio). 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