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(London: Tate Gallery Publishing, 1998), 158, 159 (color ill.), as The White Tablecloth \/ La nappe blanche, c. 1926.\n\nKate Kangaslahti, \u201cThe (French) origins and development of international independent Art on display at the Mus\u00e9e du Jeu de Paume in 1937,\u201d MODOS: revista de hist\u00f3ria de arte vol. 2, no. 2 (May-Aug. 2018), 18, fig. 3 (ill.), as La Table (The White Tablecloth), 1924.","exhibition_history":"The Hague, Gemeentemuseum, Hedendaagsche Fransche Kunst, Feb. 15\u2013Mar. 15, 1936, cat. 8, as Interieur met stilleven; Amsterdam, Maatschappij Arti et Amicitiae, Mar. 21\u2013Apr. 13, 1936.\n\nParis, Mus\u00e9e du Jeu de Paume, Origines et d\u00e9veloppement de l\u2019art international ind\u00e9pendant, July 30\u2013Oct. 31, 1937, cat. 29, as La Table.\n\nAmsterdam, Stedelijk Museum, Parijsche Schilders, Feb. 25\u2013Apr. 10, 1939, cat. 8, as Dejeuner op het terras, 1936.\n\nMinneapolis, Minneapolis Institute of Arts, Fiftieth Anniversary Exhibition, Nov. 4, 1965\u2013Jan. 2, 1966, no cat. no., as La Nappe Blanche.\n\nLondon, Tate Gallery, Bonnard, Feb. 12\u2013May 17, 1998; New York, Museum of Modern Art, June 17\u2013Oct. 13, 1998, cat. 53, as The White Tablecloth \/ La nappe blanche, c. 1926 (New York only).","provenance_text":"Galerie Hessel, Paris, probably acquired directly from the artist, by Feb. 15, 1936 [The Hague 1936]; probably sold to Pierre Loeb (1897\u20131964), Paris (Galerie Pierre), by Jan. 1, 1937, and not after late 1939 [Journal de caisse, 1937-1941, Fonds Galerie Pierre, 140\/7, Institut national de l\u2019histoire de l\u2019art; 1939 consignment list, Perls Galleries Records, Box 24, Folder 30, Archives of American Art, Smithsonian Institution, copies in curatorial object file]; consigned to Perls Galleries, New York, early 1940 [1939 consignment list, Perls Galleries Records, Box 24, Folder 30, Archives of American Art, Smithsonian Institution, copy in curatorial object file]; consigned to Paul Rosenberg & Co., New York, Mar. 24, 1942 [Mar. 24, 1942 letter from Paul Rosenberg to Gustavo Luzzatto, The Paul Rosenberg Archives, Museum of Modern Art, II.B.26, copy in curatorial object file]; sold to Paul Rosenberg & Co., New York, Nov. 21, 1944 [this and the following according to Ledger Volume: Stock Book, 1941\u20131951, Pages 30-31, The Paul Rosenberg Archives, Museum of Modern Art, IV.A.2, copy in curatorial object file]; sold to James Jerome Hill II (1905\u20131972), St. Paul, MN, June 20, 1946; sold, Christie\u2019s, London, Dec. 2, 1974, to J. Hibbet. Berry-Hill Galleries, New York, by 1978 [Architectural Digest 1978]. Sold, Christie\u2019s, New York, Nov. 19, 1986, lot 41, to Marian Phelps Pawlick; promised as a gift to the Art Institute of Chicago, June 8, 2011.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":246,"fiscal_year":null,"fiscal_year_deaccession":null,"is_public_domain":false,"is_zoomable":true,"max_zoom_window_size":1280,"copyright_notice":"\u00a9 2012 Artists Rights Society (ARS), New York \/ ADAGP, Paris","has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":45,"l":48,"s":75,"percentage":0.06248988018134716,"population":494},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Painting","artwork_type_id":1,"department_title":null,"department_id":null,"artist_id":33692,"artist_title":"Pierre Bonnard","alt_artist_ids":[],"artist_ids":[33692],"artist_titles":["Pierre Bonnard"],"category_ids":[],"category_titles":[],"term_titles":["painting"],"style_id":null,"style_title":null,"alt_style_ids":[],"style_ids":[],"style_titles":[],"classification_id":null,"classification_title":null,"alt_classification_ids":["TM-9"],"classification_ids":["TM-9"],"classification_titles":["painting"],"subject_id":null,"alt_subject_ids":[],"subject_ids":[],"subject_titles":[],"material_id":null,"alt_material_ids":[],"material_ids":[],"material_titles":[],"technique_id":null,"alt_technique_ids":[],"technique_ids":[],"technique_titles":[],"theme_titles":[],"image_id":"c38ad30a-7015-75d4-14d0-b03a89ab9462","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["Obj: 199119"],"contexts":{"groupings":["accession"]}},{"input":["Lunch on the Terrace (Le d\u00e9jeuner sur la terrasse)"],"weight":1,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-10-15T15:18:44-05:00","updated_at":"2026-10-15T18:30:49-05:00","timestamp":"2026-10-15T22:39:56-05:00"},{"id":106184,"api_model":"artworks","api_link":"https:\/\/api.artic.edu\/api\/v1\/artworks\/106184","is_boosted":false,"title":"Female Face Mask (Ngady Mwaash)","alt_titles":null,"thumbnail":{"lqip":"data:image\/gif;base64,R0lGODlhBAAFAPQAAHluZHhwY3xza393aol+c5GEeJeWlZqYl5yYlp2cm6WmpaioqLGsq7Ctq7CwsLGxsbKysrO0tAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAACH5BAAAAAAALAAAAAAEAAUAAAURIMQ0kVIQizEERyIAiBNFTwgAOw==","width":5737,"height":7579,"alt_text":"A work made of wood, pigment, glass beads, cowrie shells, fabric, and thread."},"main_reference_number":"1982.1505","has_not_been_viewed_much":false,"boost_rank":null,"date_start":1875,"date_end":1950,"date_display":"Late 19th-mid 20th century","date_qualifier_title":"","date_qualifier_id":null,"artist_display":"Kuba\nKasai region, Democratic Republic of the Congo\nCentral Africa","place_of_origin":"Democratic Republic of the Congo","description":"
The ngady mwaash<\/em> mask honors the role of women in Kuba life. It portrays a woman but, like other masks in Africa, is performed by a man. The most popular appearance of ngady mwaash<\/em> is in a pantomime about the kingdom\u2019s creation: ngady mwaash<\/em> dances together with the mooshamb-wooy<\/em> mask, representing the king (who is both her brother and her husband), and the bwoom<\/em> mask [See 1982.1506].<\/p>\n","short_description":"This densely painted and geometrically patterned Kuba mask is a ngady mwaash<\/em>, an idealized representation of a woman that honors the role of women in Kuba life. Worn by men, the graceful ngady mwaash<\/em> often appears in a pantomime about the kingdom\u2019s creation, dancing in a royal trio with the more aggressive mooshamb-wooy<\/em> and bwoom<\/em> masks at public ceremonies, initiations, and funerals.","dimensions":"31.8 \u00d7 20.6 \u00d7 20.5 cm (12 1\/2 \u00d7 8 1\/8 \u00d7 10 in.)","dimensions_detail":[{"depth":20,"width":20,"height":31,"diameter":null,"clarification":null}],"medium_display":"Wood, pigment, glass beads, cowrie shells, fabric, and thread","inscriptions":null,"credit_line":"Purchased with funds provided by the American Hospital Supply Corp., the Evanston Associates of the Woman's Board in honor of Wilbur Tuggle, Deborah Stokes and Jeffrey Hammer, William E. Hartmann, Charles A. Meyer, D. Daniel Michel, and Claire B. Zeisler; African and Amerindian Art Purchase Fund","catalogue_display":null,"publication_history":"Francois Neyt, Arts Traditionnels et Histoire au Zaire (Societe d'Arts Primitifs, 1981), p. 158 (ill.).\n\nConstantine Petridis et al., Speaking of Objects: African Art at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 2020), p. 151, fig. 1.","exhibition_history":null,"provenance_text":"Galerie Wolfgang Ketterer M\u00fcnchen, Nov. 10, 1979, Ethnographic Art, 34, lot 282, as Ngaady Mwaash [illustrated on cover of auction catalogue; p. 83]; sold to Jacques Hautelet, Brussels, Belgium, and La Jolla, CA [personal communication from J. Hautelet, Oct. 2013, documented in curatorial file]; sold to the Art Institute, 1982.","edition":null,"publishing_verification_level":"Web Cataloged","internal_department_id":43,"fiscal_year":1983,"fiscal_year_deaccession":null,"is_public_domain":false,"is_zoomable":true,"max_zoom_window_size":-1,"copyright_notice":null,"has_multimedia_resources":false,"has_educational_resources":false,"has_advanced_imaging":false,"colorfulness":0,"color":{"h":198,"l":55,"s":34,"percentage":4.369752545283113e-5,"population":19},"latitude":null,"longitude":null,"latlon":null,"is_on_view":false,"on_loan_display":null,"gallery_title":null,"gallery_id":null,"nomisma_id":null,"artwork_type_title":"Mask","artwork_type_id":7,"department_title":"Arts of Africa","department_id":"PC-1","artist_id":30142,"artist_title":"Kuba","alt_artist_ids":[],"artist_ids":[30142],"artist_titles":["Kuba"],"category_ids":["PC-1"],"category_titles":["Arts of Africa"],"term_titles":["masks","wood (plant material)","kuba (democratic republic of congo style","masks","carving","arts of Africa","Arts of Africa","Central Africa","inorganic material","pigment","colorant","cowrie shell","cloth","string (fiber product)","appliqu\u00e9 (technique)","adhesion","african art","african Art","ceremonial mask","glass beads","beading (process)","kingdom","origins","performance","royal","women"],"style_id":"TM-8110","style_title":"kuba (democratic republic of congo style","alt_style_ids":["TM-14183","TM-13564","TM-13489"],"style_ids":["TM-8110","TM-14183","TM-13564","TM-13489"],"style_titles":["kuba (democratic republic of congo style","Arts of Africa","Central Africa","african Art"],"classification_id":"TM-245","classification_title":"masks","alt_classification_ids":["TM-14182","TM-13486","TM-12149"],"classification_ids":["TM-245","TM-14182","TM-13486","TM-12149"],"classification_titles":["masks","arts of Africa","african art","ceremonial mask"],"subject_id":"TM-12113","alt_subject_ids":["TM-14387","TM-14386","TM-12949","TM-13797","TM-8735"],"subject_ids":["TM-12113","TM-14387","TM-14386","TM-12949","TM-13797","TM-8735"],"subject_titles":["masks","kingdom","origins","performance","royal","women"],"material_id":"TM-2431","alt_material_ids":["TM-2600","TM-2509","TM-3239","TM-2564","TM-2569","TM-2571","TM-10533"],"material_ids":["TM-2431","TM-2600","TM-2509","TM-3239","TM-2564","TM-2569","TM-2571","TM-10533"],"material_titles":["wood (plant material)","inorganic material","pigment","colorant","cowrie shell","cloth","string (fiber product)","glass beads"],"technique_id":"TM-3863","alt_technique_ids":["TM-3915","TM-3993","TM-4236"],"technique_ids":["TM-3863","TM-3915","TM-3993","TM-4236"],"technique_titles":["carving","appliqu\u00e9 (technique)","adhesion","beading (process)"],"theme_titles":[],"image_id":"346eac33-86e5-9e74-dcef-f01b5524a9c0","alt_image_ids":[],"document_ids":[],"sound_ids":[],"video_ids":[],"text_ids":[],"section_ids":[],"section_titles":[],"site_ids":[],"suggest_autocomplete_all":[{"input":["1982.1505"],"contexts":{"groupings":["accession"]}},{"input":["Female Face Mask (Ngady Mwaash)"],"weight":9951,"contexts":{"groupings":["title"]}}],"source_updated_at":"2026-10-15T15:06:07-05:00","updated_at":"2026-10-15T18:11:13-05:00","timestamp":"2026-10-15T22:39:56-05:00"}],"info":{"license_text":"The `description` field in this response is licensed under a Creative Commons Attribution 4.0 Generic License (CC-By) and the Terms and Conditions of artic.edu. All other data in this response is licensed under a Creative Commons Zero (CC0) 1.0 designation and the Terms and Conditions of artic.edu.","license_links":["https:\/\/creativecommons.org\/publicdomain\/zero\/1.0\/","https:\/\/www.artic.edu\/terms"],"version":"1.16"},"config":{"iiif_url":"https:\/\/www.artic.edu\/iiif\/2","website_url":"https:\/\/www.artic.edu"}}